{"title":"Miles Davis","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"x-row e42288-e34 mwmo-4 mwmo-6 mwmo-7 mwmo-8 mwmo-c mwmo-e mwmo-i mwmo-q mwmo-s\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"x-row-inner\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"x-col e42288-e35 mwmo-v mwmo-w mwmo-3 x-effect-enter\" data-x-effect='{\"scroll\":true,\"offsetTop\":\"10%\",\"offsetBottom\":\"10%\",\"behaviorScroll\":\"fire-once\"}' data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"x-the-content entry-content\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMiles Davis (1926-1991) is one of the world’s most iconic, influential and acclaimed figures in the history of jazz, 20th century music and beyond. During his five-decade career as trumpeter, bandleader and composer, he was a prime mover and trendsetter in the evolution of jazz as an art form. Davis recorded a number of classic albums on Prestige Records between 1951 and 1961, including his debut as a bandleader, \u003cem data-mce-fragment=\"1\"\u003eThe New Sounds\u003c\/em\u003e (1951), which also introduced Miles as composer of future bebop jazz standard “Dig”, a composition that has been recorded by numerous other jazz artists including Sonny Rollins, Archie Shepp and Donald Byrd. Miles’ next album \u003cem data-mce-fragment=\"1\"\u003eBlue Period\u003c\/em\u003e (1953) featured “Out Of The Blue” and “Bluing”, both of which were recorded during the making of \u003cem data-mce-fragment=\"1\"\u003eThe New Sounds\u003c\/em\u003e album and reappeared on the 1956 album \u003cem data-mce-fragment=\"1\"\u003eDig\u003c\/em\u003e along with the title track itself. In 1954 came the \u003cem data-mce-fragment=\"1\"\u003eMiles Davis Quartet \u003c\/em\u003ealbum, which featured “Tune Up”, “Smooch”, “Miles Ahead” and jazz standards “Four” and “Blue Haze”. \u003cem data-mce-fragment=\"1\"\u003eThe Musings Of Miles\u003c\/em\u003e album (1955) featured yet another Davis standard “Green Haze”. What followed in 1956 for Davis was a busy year of recordings and releases including \u003cem data-mce-fragment=\"1\"\u003eMiles Davis And Horns\u003c\/em\u003e, which featured the composition “Down”, and \u003cem data-mce-fragment=\"1\"\u003eCollectors’ Items\u003c\/em\u003e, which featured the “The Serpent’s Tooth” and “Compulsion”. It was on the 1957 album \u003cem data-mce-fragment=\"1\"\u003eWalkin’\u003c\/em\u003e that one of Davis’ greatest compositions, modern jazz standard “Solar” first appeared. Covered by dozens of jazz greats including Bill Evans, Dave Holland and Jack DeJohnette, the first two bars of “Solar” adorn Davis’ tombstone. Always an explorer of unknown musical paths, Davis the composer was a creature of innate intellect, primal instinct and improvisational perfection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"the-miles-davis-quintet-cookin-with-the-miles-davis-quintet-lp","title":"Cookin' With The Miles Davis Quintet (LP)","description":"\u003cp\u003eFeaturing an all-star personnel of \u003cstrong\u003eMiles Davis\u003c\/strong\u003e, \u003cstrong\u003eJohn Coltrane\u003c\/strong\u003e, \u003cstrong\u003eRed Garland\u003c\/strong\u003e, \u003cstrong\u003ePaul Chambers\u003c\/strong\u003e and \u003cstrong\u003ePhilly Joe Jones\u003c\/strong\u003e, \u003cstrong\u003e\u003cem\u003eCookin' with the Miles Davis Quintet\u003c\/em\u003e\u003c\/strong\u003e is one of the four albums that came out of the two legendary 1956 sessions of the quintet.\u003c\/p\u003e","brand":"Miles Davis","offers":[{"title":"Default Title","offer_id":13779754876983,"sku":"OJC128","price":25.98,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0015\/0840\/9399\/products\/MDQ_Cookin-LP.png?v=1653359160"},{"product_id":"the-miles-davis-quintet-relaxin-with-the-miles-davis-quintet-lp","title":"Relaxin' With The Miles Davis Quintet (LP)","description":"\u003cp\u003e\u003cspan\u003e\"That was some great music we made at both those sessions and I’m really proud of it today,” \u003cstrong\u003eMiles Davis\u003c\/strong\u003e wrote in 1989 about the sessions for \u003cstrong\u003e\u003cem\u003eRelaxin'\u003c\/em\u003e\u003c\/strong\u003e. 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The limited nature of these pressings guarantees that each record is a true representation of the original lacquer and is as close as the listener can get to the original recording.\u003c\/p\u003e\n\u003cp\u003eEach pressing of \u003cem\u003eRelaxin’\u003c\/em\u003e is \u003cstrong\u003eindividually numbered \u003c\/strong\u003eand encased in a \u003cstrong\u003efoil-stamped, linen-wrapped slipcase\u003c\/strong\u003e featuring an acrylic inset of the original artwork. 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